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FR: Une palette aux tons de pierres précieuses mêlant bleu sarcelle, vert émeraude et magenta profond, sur un fond gris clair neutre.
Le design de cette collection fusionne l’ornementation folklorique d’Europe de l’Est avec l’esthétique des carreaux mauresques et l’esthétique arts and crafts. Les motifs centraux se composent de formes botaniques symétriques Le style équilibre une précision vectorielle moderne avec une douceur organique offrant une élégance chaleureuse d’inspiration artisanale, à la fois empreinte d’un esprit vintage et d’un graphisme résolument contemporain.
ideal pour Papier peint panoramique pour cuisines et salles de bain, crédences adhésives, textiles d’ameublement (coussins décoratifs, assises de chaises), ou linge de table haut de gamme… et pour des intérieurs de style Boho-Chic, Grandmillennial ou pour ajouter une touche de caractère à un espace minimaliste.
ENGL: A sophisticated jewel-toned color palette of teal, emerald green, and deep magenta set against a neutral, pale grey background.
The design of this collection merges Eastern European folk ornamentation with the aesthetic of Moorish tiles and Arts & Crafts aesthetics. It aligns with the” Modern heritage” trend. It feels timeless and trend-forward. The style balances modern vector precision with an organic softness in the curves, a warm, craftsman-style elegance that feels both vintage-inspired and modernly graphic.
Ideal for kitchens and bathrooms, peel-and-stick backsplash applications, and home décor textiles (decorative pillows, chair seats), as well as elevated table linens… and for a Boho-Chic, Grandmillennial style, or for adding character and pattern density to a room.
See the collection in SPOONFLOWER




An interlocking ogee pattern featuring stylized navy pineapples and symmetrical magenta botanicals. This maximalist design offers a sophisticated architectural rhythm, making it a perfect choice for high-end wallpaper, upholstery, and eclectic home decor.
Un riche motif ogival entrelacé mettant en scène des ananas stylisés bleu marine et des éléments botaniques magenta symétriques. Ce design dense et maximaliste offre un rythme architectural sophistiqué. Choix idéal pour des papiers peints haut de gamme, des tissus d’ameublement et une décoration intérieure éclectique.








FR: Motif d’inspiration zellige avec médaillons floraux symétriques. Sa structure en quatre-feuilles imbriqués crée un treillis floral harmonieux où se rencontrent des tulipes stylisées et des rosaces délicates. J’ai choisi une palette vibrante mêlant bleu pétrole, rose fuchsia et crème pour un effet backsplash élégant et maximaliste.”. L’alignement rigoureux assure une continuité visuelle parfaite, simulant l’apparence d’une pose de carreaux de ciment ou de céramique artisanale sans joints visibles.
EN A zellige-inspired pattern featuring symmetrical floral medallions. Its interlocking quatrefoil structure creates a harmonious floral lattice where stylized tulips and delicate rosettes meet. I chose a vibrant palette combining petrol blue, fuchsia pink, and cream for an elegant, maximalist backsplash effect. The precise alignment ensures a seamless visual continuity, evoking the appearance of hand-laid cement or artisanal ceramic tiles without visible grout lines.












Stylized, fan-like botanical bloom nested within a scalloped ogee frame. Accenting these are slender, trumpet-shaped magenta flowers and delicate dotted “stitching” that follow the curves.
























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I made my Christmas patterns (for wapping paper) with this few procreate stamp brush i made just before
Prepare Your Image: Start with a high-contrast image or design that you want to use as a stamp. You can use a drawing or import a photo and isolate the design by removing the background – Import the Image: Open the Actions menu (wrench icon). Go to the Add section and tap on Insert a Photo to bring in the image – Convert Image to a Brush: Once you’ve isolated the design, go to the Brush Studio by selecting the brush library and tapping the “+” icon to create a new brush. Under the Shape section, tap on Edit and import your design by choosing Import and selecting Photo or Import from File – Adjust the Brush Settings: You can adjust settings under Stroke Path, Taper, Shape, and Grain to fine-tune the look of your stamp brush. In the Shape section, you can also adjust the Scatter and Rotation to add variety to the stamp’s repetition – Save and Use: Once you’re happy with the settings, tap Done to save your brush, and it will appear in your brush library for use.








I created stamps (as a procreate brush) and used them to build a minimalist kind of scandinavian vibe (as i imagine it) patterns. using stamps & Simple paper cut shapes … with a simple repeat it create the magic as well as sophisticated ones.
It was quite relaxing to work with that material over the Christmas vacation, to focuses on simplicity, functionality with a connection to nature, a distinctive emphasis on clean lines, minimalism, and lightness… stylise rather than overly detail elements.
Usually I indulge myself onto the interacted Morris realm. it was different 🙂
































IMAGINE istolar.art patterns on a lampshade
I soon will be be ready to present my patterns to fabric and interior decor industry. the truth is that i am a both scared and excited to jump in.
I first wanted to wait until I have various smalls coordinated collections to propose. So far, my patterns are individuals colors editable items (I hope they all have a family connection but there were not actually built as collections).
I cant wait to design some proper collections (coming soon)… How exciting!
Meanwhile, I try to make presentations such as these lampshades video to help people imagine how they could use my designs on their products. 🙂


“The true secret of happiness lies in taking a genuine interest in all the details of daily life”- William Morris






















“No pattern should be without some sort of meaning”- William Morris




I created a modern naif pattern mixed with our favorite classical acanthus leaves ( blog article)
… always looking up to William Morris


















and Rosseti




William Morris portrait decorated with istolar.art fluo flower pattern
Original photo by engraver and photographe Emery Walker


Jane Morris portrait decorated with istolar.art fluo flower pattern
An other kind of Frida Kahlo?
Original photo by John R. Parsons © National Portrait Gallery, London




Jane Morris (The Blue Silk Dress) – a painting by Dante Gabriel Rossetti of his lover. Illustration: Dante Gabriel Rossetti


Jane Morris, pre-Raphaelite face of the Morris company brand, was essential to the creation and success of her husband’s decorative arts firm, Morris & Co
” One of the first decorations that William Morris made was a daisy-patterned wall hanging for Red House, which has since cemented his reputation as a design pioneer. “Jane later tells her daughter May, in a letter, that she chose the fabrics for that. And she and Morris sat down together, worked out what pattern was possible and then they stitched it together ” the guardian
Jane became Rossetti’s model and muse, featuring in hundreds of his pictures, defining the Pre-Raphaelite ‘look’. He challenged Victorian conceptions of ideal femininity by formulating an unconventional, ‘aesthetic’ type of beauty characterized by a:
-columnar neck – thick waves of hair – well-defined brows – large expressive eyes- sensuous and long finger – massive limbs and large throat – exaggerated lips and eyes counterbalanced by a sense of remoteness
Did Jane Morris’s and Dante Gabriel Rossetti’s affair have an influence on the Arts and Crafts Movement?

