Flower stock for futur patterns
Recherche de forme simples aux couleurs vives
See sketch in BLOG
Fluorescent flowers
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pattern
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IMAGINE the conical flower pattern …
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CONICAL FLOWER PATTERN sample
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IMAGINE STONG FLOWER PATTERN
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STRONG FLOWER PATTERN
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IMAGINE, THE MORNING GLORY PATTERN!
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William Morris and J.H Dearl’s work
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The 19th century’s most celebrated designer
A key figure in the Arts & Crafts Movement
A key figure in the Arts & Crafts Movement, Morris championed a principle of handmade production that didn’t chime with the Victorian era’s focus on industrial ‘progress’.
William Morris prefers sentiments to sentimentality, natural simplicity to artificial profusion.
Critical of the industrial era, he does not object to the machine themselves but to their use by some to produce profit through the exploitation of other. He views art as an indicator of the health of the nation
W.Morris makes no difference between makers and thrive strives for equality and good design. However, because of his method of hand printing, his products only made it possible for the wealthy to buy his service
William Morris & co / the firm
Morris Marshall Faulkner &co
William Fulford
Cormell Price
May Morris ( daughter )
They based their work on a set of principle that where largely influenced by the social circumstances and victorian society and culture. this group became a force that will change the way people view and value the decorative art and its creators.
They create a new design trend: architecture, interior design, gardening, fashion
Moriss’s design is iconic and shape the art and craft movement as we perceived it today
W.M relation to time is showing within his work:
The past is not dead. It is living in us and will be alive in the future which we are now helping to make.
W.M has no affinity with purely abstract pattern. He reject simple replication he seek a sens of hidden depth
principle of art & craft movement
Principle 1
Design should be created in context to the environment not for its own existence or for admiration only. he creates pattern with an intention and purpose (create pattern that will work well on specific product)
INTENTION AND PURPOSE ARE PARAMOUNT !
Principle 2
Design should first be created out of function after that is achieved ornament and decor an be added in Morris work there was never redondance or unnecessary details
START WITH THE FUNCTION !
Principle 3
Design should be true to purpose and its material, honest in how it is created. It shouldn’t imitate or look like something.
This is why the art & craft style was created in a two dimensional matter with simplified and stylised animal, plants motifs.
it should not try to look real but only to borrow the beauty of the nature and use it as a manner that complement the interior
stylise the motif to suits the suppose !
Principle 4
Use nature as your source of inspiration.
There are no abstract and non figurative design
All art & craft designer are inspired by nature with motifs of: – Foliage – Flowers – Animals – Fruits
Not to try to depict nature realistically but in a stylised way !
Principle 5
The designer should be involve in the whole process: from design to making… this mean learning and practicing every craft behind his product (design drawing, embroidery, waving, dying, printing…)
GET GOOD AT THE CRAFT AND DESIGN !
Try different technics and medias for creating pattern !
William Morris and J.H Dearl’s work (image in public domain)
William Morris and J.H Dearl’s work (images in public domain)
William Morris and J.H Dearl’s work images in public domain)
(images in public domain)
(images in public domain)
William Morris & co seamless patterns – images in public domain
William Morris Hunt – Wallace Black,1896
Portrait of Jane Morris (Mrs. William Morris) by John Robert Parsons
Portrait of Jane Morris (Mrs. William Morris) by John Robert Parsons
DES LIENS
Le design (d’intérieur) n’est pas un luxe
The master
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My pattern design very humbly take their inspiration from the atmosphere of the infinite beauty of William Morris & co. , or let’s say W.Moriss universe is my favorite graphic meditation and esthetic emotion
Within his bold two dimensional pattern Morris crafted a visceral response to the curves and waves of nature
I love the the way he reject simple replication of the past but capture its spirit, and seek the sense of depth and light:
How ever original a man may be he can not afford to disregard the work of art that have been produced in time past when design was flourishing, he is bound to study old exemples but he is also bound to supplement that by a careful study of nature because if he does not he will certainly fall into a sort of cut and dried conventional method of designing
William Morris artist craftman pioneer by R.Ormisyon & N.M Wells
Mock up hommage à William! ( I realise I dysothographied his name on the mock up)
Meadow pattern making of
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1500 patterns – BOOK
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Pattern design with over 1500 pattern edisted by Elisabeth Wilhide
When I received this book i was enthralled…
TILE DESIGN
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BON APÉTIT
PLAISIR D OFFRIR DES FLEURS
LUCKY CHARM
DECORATIVE TILES
IMAGINE : ” THE BERRY BUSH ” pattern
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IMAGINE: ” THE BOURRACHE pattern “
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istolar patterns on mockup.
Let’s visualise / visualisons …
THE BOURRACHE PATTERN
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Je voulais dessiner un pattern avec une fleur que l’on trouve partout autour de nous et dont la couleur et la la forme n’ont rien à envier au fleurs plus rares ou plus exotiques… LA BOURRACHE !!!
https://www.lapousseverte.fr/2022/03/10/bourrache-conseils-jardinage-plante-annuelle-comestible/
I wanted to design a pattern based on a flower we can find everywhere around while it has nothing to envy of much scarcer or exotic flowers. THE BORAGE !!!
elements of making of
TREE OF LIFE pattern
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Un motif aux tiges robustes. Au lieu de dessiner, comme à mon habitude, des tiges souples et des fleurs des champs légères, j’ai créé ici une série de motifs inspirés de buissons de baies et de fleurs clochettes à graines qui vont etre dispersées bientôt pour attendre que des oiseaux les emmènent un peu plus loin.
J’ai aussi pensé à un arbre de vie sur les branches duquel on aurait zoomé 🙂
A pattern with sturdy stems in place of supple stems and light field flowers I usually draw. I designed a series of patterns inspired by berry bushes and bell flowers containing seeds that will soon be scattered for birds to scatter them all over.
I also thought of the pattern as a zoom on the branches the tree of life.
See the berry pattern timelapse / making of in Blog
THE CHERRY TREE PATTERN
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Pour réaliser ce motif je me suis inspirée des arbres en fleur… qui se trouveraient du coté des cerisiers ou des pêchers…
To design this pattern I got my inspiration from a mix cherry and peach blossom tree.
THE MEADOW PATTERN
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PATTERN PRESENTATION
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I made random professional cards with those tile designed patten
SCANDINAVIAN IRIS FLOWERS PATTERN
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Un motif où l’on voit le trait du crayon (ici HB procreate pencil). Un iris qui aurait gagné en fragilité (une tige en fil, des petals en papier de soie) et des fleurs de champs avec des filaments infinis qui font des formes de fleurs à leur tour.
On dirait un motif pour de2corer des boites en métal, cubiques ou cylindriques …
A pattern that shows the pencil stroke (here HB procreate pencil). An Iris with a thin stem and thin paper petal) and wild flower with endless filaments that produce in turn flowers shapes
It would fit some metallic cylindrical boxes …
BIRDS IN PEONIES FROM DAMASK inspired pattern
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Des oiseaux dans les arabesques
